Friday, March 22, 2019

Slow Wine Guide Tasting: What is Caberlot? (Part 2)

Maybe rather than burying a cow horn, stuffed with manure, beneath your vineyard, you might do better to bury a bottle of 1985 Sassicaia. It certainly seems to have brought much good fortune to Podere Il Carnasciale

At the Slow Wine Guide tasting event, I had the opportunity to taste a grape new to me, a grape that is produced by only a single winery in the world. The grape is called Caberlot and is mentioned only briefly in Jancis Robinson's comprehensive Wine Grapes encyclopedia. She wrote, "There is also a small, isolated vineyard near Arezzo, central Italy, where Carnasciale grow a variety called Caberlot, thought to be a crossing of Merlot with an unidentified parent." However, there is more known about Caberlot and it is a fascinating tale.

The story begins in the late 1960s, in an abandoned vineyard near Padua, where Remigio Bordini, an agronomist, discovered a new grape. This grape, which would become known as Caberlot, seemed to share characteristics of both Cabernet Franc and Merlot, and appears to be a natural crossing of the two varieties. Remigio kept this unique grape in a nursery for about twenty years, until 1986. It was then that he chose to share the grape with a single family.

Four years before that, Wolf and Bettina Rogosky, husband and wife, decided to buy some land, full of olive trees, atop a hill in Tuscany, in the southern Chianti hills of the Valdarno, just outside of the Chianti Classico appellation. They discussed planting grapes to make wine, eventually seeking advice from Vittorio Fiore, an enologist. It was Vittorio who fortuitously introduced them to Remigio Bordini. Their meeting must have gone extremely well because Remigio decided to allow the Rogoskys to take cuttings from his nursery so that they could grow Caberlot in their new vineyard.

The Rogoskys planted their initial vineyard, named Carnasciale, in 1986 on the site of an old olive grove, and it was tiny, only about .74 acres. Carnasciale is a nearly obsolete word in Italian that refers to the "period of Carnival." Hoping for luck, Wolf buried a bottle of 1985 Sassicaia, a famous Super Tuscan wine, under his first vines. At the time, Wolf probably didn't realize that the 1985 Sassicaia would eventually become known as a legendary wine. For example, that was the first Italian wine that Robert Parker gave 100 points.

Their Caberlot wine, which was bottled only in magnums as Wolf believed the wine would age well in that format, would eventually become a cult hit. It's scarcity helped, plus the fact that no one else was permitted to grow this grape. Unfortunately, Wolf died in 1996, but Bettina continued pursuing their passion for Caberlot. Following previous plans, Bettina planted additional vineyards in 1999, 2004, and 2011, so that they now have about 13.5 acres of vineyards, producing a total of about 9000 bottles annually. Even with the additional vineyards, production remains small. Their son, Moritz (who I met at the tasting), now works with his mother, helping to promote their wines.

The vineyards are being converted to organic, and they hope for the process to be completed in the near future. It wasn't until about 2005, that the wine was first exported to the U.S., and even at that time, it was still difficult to find in Italy. The "X" that is seen on their labels, which is different each year, is intended to signify the crossing of the grapes, the Cabernet Franc and Merlot, plus it also draws attention to the label even from across a room. The color of the label is also different each vintage. 

In the Slow Wine event guide, the winery received two designations, including a Bottle indicating the winery is a benchmark in quality. The other designation, "Slow Wine," is because the winery produces wines that represent "an expression of place, originality and history." Their 2015 Caberlot also received a designation as a "Great Wine."

Before getting into the Caberlot, we had a chance to taste a Sangiovese wine they started producing in 2015. The 2016 Valdarno Di Sopra Ottantadue, made from 100% Sangiovese, sees no oak and is intended to be an easy drinking red wine. It is fresh and bright, with prominent red fruit flavors, especially cherry, good acidity, and a pleasing finish. It is a simple, everyday wine, which would pair well with pizza to burgers.

In 2000, the winery created a second wine, Carnasciale, which is made from Caberlot from younger vines, is released in 750ml bottles, and is supposed to be more approachable. I tasted the 2016 Carnasciale, which is vilified in the same manner as the higher-end Caberlot. It is aged in French barriques, 70% new, for about 22 months and then for another 6 months in the bottle. I found this wine to definitely be very approachable, with restrained tannins, rich flavors of red and black fruit, mild spice notes, and a lengthy finish. There was a light greenpepper/vegetal note, typical of some Cabernet Franc, though I'll note a couple of my friends who tasted the wine didn't discern that note.

The 2015 Caberlot (about $275/magnum) is made from their oldest and best Caberlot grapes. It undergoes malolactic fermentation and then is aged, for about 22 months, in French barriques, of which 70% are new, one third each Allier, Vosges and Tronçais oak, medium toast. It will then spend about 18 months in the bottle before release. The wine is unfiltered, has a 13.5% ABV, is bottled only in magnums, and Bettina hand-numbers each label. It has to be labeled as IGT Toscana as the grape is unrecognized in the DOC. It was definitely a more complex wine, with silky tannins, more plum and black raspberry flavors, a spicy backbone, and a touch more green. Each sip delivered an intriguing taste, which tantalized the palate with a harmonious melange of flavors. The lengthy finish was satisfying and the acidity was spot-on. It seemed a little tight, so would benefit from aging, but it was still enjoyable as is.

I preferred though the 2014 Caberlot, which came from a cooler vintage, especially as I couldn't detect any green pepper notes. The fruit flavors were a touch more vibrant and the mouthfeel was a bit more smooth, yet it retained all of the complexity of the 2015. It was also a bit more enjoyable as is, though the potential for aging was evident. Both wines would benefit from food pairing, maybe wild boar or lamb.

The wines of Podere Il Carnasciale won't be easy to find, but they are worth the splurge if you get the opportunity.

To be continued...

Thursday, March 21, 2019

Thursday Sips & Nibbles

I am back again with a new edition of Thursday Sips & Nibbles, my regular column where I highlight some interesting, upcoming food & drink events.
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1) Yesterday, Casa Caña kicked off its new, monthly rum dinner series. Each dinner will feature a welcome cocktail followed by a three-course meal paired with rum cocktails for only $45.

Casa Cana is a Latin kitchen, patio & rum bar that features innovative New Latin cuisine, or as the Latin Americans locals call it, “Nuevo Latino.” This style of cooking uses traditional ingredients and a plethora of textures, colors, and flavors that when combined, create a cuisine that is unique to South and Central America, and it’s Latin neighbors in the Caribbean.

WHEN: Check out of of their upcoming rum dinners:
Second dinner: Thursday, April 25th featuring Banks 5
Third dinner: Wednesday, May 29th featuring Leblon Cahaca
Fourth dinner: Wednesday, June 26th featuring Bacardi

Guests must be 21+ to attend and tickets can be purchased at: https://www.eventbrite.com/o/casa-cana-18059071759

2) Portsmouth and the Seacoast chefs are digging out of the snow and digging into early early Spring product to bring to the table for Restaurant Week Portsmouth & The Seacoast from March 28 – April 6. You have 40++ reasons to visit this charming and delicious seacoast community with dozens of restaurants, breweries and hotels ready to welcome visitors and kick off Spring. Produced by the Chamber Collaborative of Greater Portsmouth, Restaurant Week Portsmouth & The Seacoast is a highly anticipated “ten days of Saturday nights” with the city’s top chefs going all out to showcase their restaurants and to thank visitors for their support throughout the year. Plus be sure to check out the special Cocktail Menus highlighting Barr Hill Tom Cat Gin, local brews and more.

Located one hour north of Boston and one hour south of Portland, Maine, Portsmouth is an easy drive from all points New England. Known for its historic sites, architecture, festivals and coastal charm, Portsmouth attracts talented and ambitious chefs and restaurateurs who are creating a one-of-a-kind New England culinary destination.

Restaurants from all over the NH Seacoast are participating –including from the towns of Portsmouth, Durham, Hampton, New Castle, Rye, Exeter, and Kittery, Maine.

This year, some new restaurants participating, such as Botanica and Armando’s. Check out Chef Matt Louis’ Game of Thrones inspired Menu at Moxy (I love the idea of the House Baratheon meal of Drunken Boar Bangers & Mash). At Chef David Vargas’ Menu at Vida Cantina, there are riffs of dishes by Mexican chefs who were nominated this year as semifinalists by the James Beard Foundation. This is David’s first time to be nominated and he is thrilled to see chefs with Mexican heritage being recognized. Also check out these Restaurant Week Menus which intrigue me, including Cava Tapas & Wine Bar, the Franklin Oyster House, Misto!, Ore Nell's, and The Wilder.

Menu Prices: Lunch: Three Course Prix Fixe for $16.95; Dinner: Three Course Prix Fixe, $29.95
*Note: Some restaurants extend the $16.95 value price for dinner as well.

Wednesday, March 20, 2019

Slow Wine Guide Tasting: Italy, California & Oregon (Part 1)

When you're confronted with about 300 wines available for tasting, you have to make some hard decisions. In only four hours, no one can properly taste and give respect to all of those wines so you need to be very selective as to which of those wines you'll sample. Forced to be selective, I knew that I'd miss out on tasting some interesting and delicious wines. However, I was pleased to find some compelling wines which were well worthy of attention.

The 2019 U.S. Slow Wine Tour visited five cities, starting in San Francisco and ending in Boston, where it took place at the City Winery. The Tour was intended to showcase the release of the 2019  Slow Wine Guide, a wine review guide which doesn't use numeric scores to assess wine. This guide is an offshoot of the Slow Food movement, which was established in Italy, in Piedmont, by foodways activist Carlo Petrini as a way to protect the world’s gastronomic traditions.

Their website states their basic philosophy, "Slow Food believes that wine, just as with food, must be good, clean, and fair--not just good. Wine is an agricultural product, just like any of the foods we eat, and has an impact on the lives of the people who produce it, as well as on the environment--through pesticides, herbicides and excessive water consumption which are all commonplace in conventional wine production." The first edition of the annual Slow Wine Guide, centered on Italian wines, was published in 2010, with an English translation released the next year. To review their wines, they visited each winery, spoke about their agricultural practices & wine production, blind-tasted their wines, and then composed their reviews.

In 2017, Slow Wine decided to expand their coverage to California, so they traveled there, visiting and evaluating hundreds of wineries. The 2018 Slow Wine Guide was the first to include reviews of California wineries, 70 in all. For the 2019 Slow Wine Guide, they expanded their California coverage to include over 130 wineries. In addition, they have added coverage of Oregon, including about 50 wineries. As their website states, "Oregon’s commitment to sustainable wine-making and respect for the terroir is consistent with Slow Wine’s principles and its mission to support local agriculture."

In addition, they note, "Like last year’s book, the 2019 guide isn’t intended to be exhaustive or comprehensive: it’s a growing, living, and breathing almanac that’s meant to give voice to the new wave of America’s viticultural renaissance." Next year's guide will continue to grow, including more wineries from California and Oregon, and possibly reaching out to other U.S. states as well. Though the inclusion of other states might take a bit longer.

I didn't know until I arrived at the Slow Wine tasting that approximately 300 wines were available for sampling. I was pleasantly surprised at the size of the event. Representatives of 85 wineries were present, including 79 from Italy, 3 from California and 3 from Oregon, each pouring about three wines. Some of the Italian regions covered include Emilia-Romagna, Lazio, Marche, Piedmont, Veneto, Puglia, Sicily, Tuscany, Umbria, and more. There were also three joint tables, representing the Prosecco DOC, Lugana DOC, and Bardolino Chiaretto DOC, which added about another 50 wines. Some of the wineries were seeking importers but a significant amount are already available locally.

In the tasting event guidebook, some of the wineries and wines were marked with various symbols or phrases, indicating something special. The wineries might be marked with a Snail, Bottle, or Coin while the wines might be marked as Slow Wine, Great Wine or Everyday Wine. In short, the Snail indicates those wineries whose values align with the Slow Food movement, the Bottle indicates high quality, and the Coin indicates excellent value. The Slow Wine designation represents "an expression of place, originality and history," while the other two phrases are self-explanatory.

The tasting was spread out over three rooms, and though it was well-attended, by various representatives of distributors, wine stores, restaurants, the media, and more, it generally didn't feel too crowded. There was a table of food, snacks to help cleanse your palate, and there was plenty of bottle of water too. The event seemed to run well and I encountered plenty of other attendees that I knew. There was a casual vibe, though plenty of work got done as well.

A few of my highlights of the tasting included a Tannat/Malbec blend from Oregon, a delicious Italian Rosé made from a blend of Barbera, Groppello, & Sangiovese, and an Italian wine made from a grape that only a single winery in the world is allowed to produce. In the next couple weeks, I'll be writing in detail about some of these highlights as well as some of the other wines I tasted, sharing the best of what I tasted.

To Be Continued...

Monday, March 18, 2019

Rant: "We Don't Know How To Talk About Seafood"

"We don't know how to talk about seafood."
--Barton Seaver

It might seem strange to hear that sentiment spoken at the Seafood Expo North America (SENA), but if you think more carefully, maybe it's the perfect place to discuss this statement. This sentiment was espoused by Barton Seaver two years ago at a panel conference at SENA, yet it continues to resonate with me. As I attend SENA 2019, exploring what the seafood industry has to offer this year, his words are the forefront of my thoughts and it's worth taking a look back at Barton's thoughts. Those thoughts remain as significant and relevant now as they did then.

Barton Seaver, who currently lives in Maine, has been a successful Chef and is now a seafood activist, educator, speaker, and author of 7 books. His website states, "Barton is a firm believer that human health depends on the health of the ocean and that the best way to connect the two is at the dinner table." He is a powerful and persuasive speaker, with an easy, personable style and an infectious passion for seafood. Barton is a compelling advocate for the seafood industry,

When he began his remarks at the panel conference, he started with: "We don't know how to talk about seafood." He continued his speech, noting that we don't have a great definition of "sustainable seafood," especially as there are so many elements to the concept of sustainability. Although many, if not most, of the exhibitors at SENA tout the sustainability of their products, they all have different definitions of what that constitutes. And each year that I attend SENA, it seems the definition of sustainability expands to include additional concepts.

Another important issue that Barton raised is that seafood often isn't included in discussions about "good food" despite it being maybe the only type of food with the term "food" actually in its name. We don't talk about "landfood" or "airfood." We don't talk about "beef-food" or "chicken-food." We need to look at seafood more from a cultural viewpoint.

Barton also mentioned that seafood suffers from "otherness," being seen as different from other foods. Over time, seafood lost its identity, partially from the advent of refrigeration and a decrease in home cooking. When people commonly think of proteins, they usually don't include seafood in their thoughts. It is also the only food that is considered guilty before being innocent. It is something people think must be analyzed, to determine whether it passes a person's standards or not. These same individuals don't conduct that same analysis with their beef, chicken, or pork. A person will ask whether a salmon is farmed or wild, but that same person is unlikely to ask whether chicken is from a factory farm or not.

The culinary aspect of seafood scares people, who feel intimidated when trying to cook and prepare seafood. Education is definitely needed in that regard. Currently, Americans eat almost only 10 species of fish, 8 if you group the types of catfish together. Other fish and seafood is not seen as having the same value as these 10 species. Our fishermen catch so many other species and this is an unsustainable economic situation. We demand the market supply for fish rather than take what is caught. We must all start eating other species of fish and seafood, going beyond the common 10. We need to put less pressure on those common 10 and also help fishermen who catch all the other species.

Barton then raised an issue I hadn't considered before, but which makes much sense. He stated that one of the biggest obstacles to sustainability is the recipe. The problem is that recipes usually are composed to use a specific type of fish. For example, you will find recipes for Cod and Mussels, Salmon and Crab. Some seafood cookbooks break down into chapters for these specific seafood types. However, Barton feels that recipes shouldn't specify the fish type but be more generic, such as a "light, flaky whitefish."

The idea is to encourage home cooks to seek outside the common 10 and use other seafood species, which are similar to the common ones they already enjoy. That is excellent advice, though such a cookbook would probably need to have a list somewhere, grouping seafood species by the generic definitions within the cookbook. For example, the average consumer doesn't know what dogfish is like, so they would need to have some guidance as to what type of recipes it would fit within. Barton also had advice for Chefs, that they should not ask for specific species but should ask for what is fresh. In addition, they should "sell the dish, not the seafood."

Barton then moved on, stating that we need to "end the conversation of wild vs farmed." He feels it is an artificial distinction, that we should treat them both the same and stop arguing about aquaculture. Those sentiments were echoed in a panel conference I attended yesterday, and I'll be writing about that conference in the near future.

As Barton says, "Seafood is such an amazing opportunity" and "Seafood sustains us." He also noted how valuable it is for our health, how numerous studies show that eating sufficient seafood can reduce your risk of heart disease by about 36%. A doctor from Tufts once told him of the 3 Ss of good health: Wear Seatbelts, No Smoking, and Eat Seafood.

"Fish lacks story." Barton is not the first sustainable seafood proponent that I have heard make this point, and its validity is without dispute. Barton feels we need to use other methods to connect people to seafood, and shouldn't start with the seafood. We need to connect it more to cultural issues. For example, we can talk about social issues such as the fact that 52% of the people involved in aquaculture are women. Aquaculture provides plenty of jobs and that is a great story. In addition, we should consider the story of how we keep fishermen in business, the civic values of helping members of our community. We all should "Talk about sustainability in any measure that is meaningful to you."

Barton Seaver provided much to ponder and I hope it helps spark something within my readers as well. People need to eat more seafood, for an abundance of reasons, from improving your own health to helping local fishermen make a living. Stop treating seafood as an enemy and treat it as you would hamburger or fried chicken. Don't treat seafood as an "other."

(This is partially a reprint, with some revisions, of sections of a prior post, but one which is especially relevant as I attend SENA 2019, and which discusses many points which remain as significant now as they did two years ago.)

Friday, March 15, 2019

Vale do Bomfim & Pombal do Vesuvius: Portuguese Delights

With a history extending back to 1882, Symington Family Estates is one of the largest and most important producers in the Douro region of Portugal. They own well-known brands including Graham's Ports, Cockburn's Port, Dow's Port, Warre's Port, Quinta do Vesuvio, and more. The Douro is well known for its Port Wines, but the region also makes some excellent still wines. You can check out one of my previous posts, The Douro River Region: Beauty & Thriving Amidst Adversity, for some background on this area. I received a couple media samples of two of Symington's Douro still red wines, and I was't surprised by their quality.

Quinta do Vesuvio, which can trace its history back to the 16th century, was acquired by the Symingtons in 1989, and its 1000 acre estate is located in the upper Douro. It is considered one of the best, and largest, vineyards in the Douro Superior. The 2015 Pombal do Vesuvio ($28), the winery's second wine, is a blend of 50% Touriga Nacional, 45% Touriga Franca, and 5% Tinto Amarela. The Portuguese term "pombal" translates as "dovecote," and refers to an ancient dovecote, where pigeons or doves were housed, which is in the middle of the vineyards. It was an exceptional vintage, the weather cooperating throughout the year. giving rain when necessary.

The wine went through fermentation in stainless steel, and then was aged for about 10 months in French oak. At only 13.5% ABV, the wine had a rich, dark red color with a pleasing nose of red fruits and floral notes, a touch of violets. On the complex palate, the red and black fruit flavors were prominent, accented by some dusty spices, bright acidity, well-integrated tannins, and some underlying minerality. The finish was long and satisfying, and there was a mild earthy touch as well. Definitely an excellent food wine, with everything from pizza to burgers, steak to pasta with a hearty ragu. An excellent choice to experience what the Douro has to offer in still red wines.

The 2016 Dow Vale do Bomfim ($12.99) is from the Quinta do Bomfim, which was acquired by Symington in 1896, making it their oldest owned estate. The quinta is located just beside the town of Pinhão, and consists of a 130-acre property with over 160,000 vines. This still wine is a blend of 30% Touriga Franca, 20% Touriga Nacional and 50% Field Blend of indigenous grapes. All of the grapes come from the same vineyards they use for their Vintage Ports. The wine spent about 6 months in neutral oak, has a 13.2% ABV, and is an excellent example of the great values you can find in Portugal.

With a dark red color, it possesses an appealing fruity aroma with floral accents. On the palate, there is a tasty melange of red and black fruit (especially cherry and plum), peppery spice with some licorice notes. Mild tannins, a moderately long finish, and decent complexity for this price point. An easy drinking wine which provides better quality than many other wines at this price point. This wine will pair well with a wide range of foods, though it can be enjoyed on its own as well. Highly recommended!

Drink more Portuguese wine!