Showing posts with label champagne. Show all posts
Showing posts with label champagne. Show all posts

Monday, December 2, 2024

Rant: During The Holidays, Drink Bubbly With Food!

"You don't need to be a sommelier as sparkling wine pairs with everything."
--Marcello Lunelli

During the holiday season, many people will purchase Champagne or other types of Sparkling Wine, from Prosecco to Cava, Franciacorta to Crémant. However, when do you drink that bubbly? For most people, it's merely an apertif or for a celebratory toast. Yes, it's excellent on these occasions but it can be so much more. 

Many people don't realize that Sparkling Wine also pairs very well with a wide variety of foods, and can be consumed throughout the course of a meal, from appetizer to dessert. When's the last time you enjoyed Sparkling Wine during your dinner? I suspect many people do not commonly enjoy it with their food. At best, it's most common to have Mimosas, bubbly and orange juice, for breakfast or brunch, but the bubbly isn't enjoyed on its own. 

Even restaurant sommeliers rarely recommend drinking Sparkling Wine with your dinner. And that is a mistake. Sure, there are plenty of wines that pair well with food, but why omit Sparkling Wine from the discussion? When's the last time a sommelier suggested that you drink Sparkling Wine throughout the course of your dinner? I can't recall the last dinner I attended where a sommelier recommended a Sparkling Wine with my appetizers or entree.

Wine lovers need to get over their misconception that Sparkling Wine is mainly an aperitif or celebratory wine. They need to take the chance and drink it with whatever they choose to eat, from seafood to steak, pasta to Chinese food. It may be one of the most versatile wines when it comes to food pairings, and it can be so delicious. 

When I visited the Champagne region, I experience Champagne paired with nearly all of my food courses, for both lunch and dinner. I found Champagne to pair well with so many different dishes and you really can't go wrong selecting it for your meal. No matter what the cuisine, Champagne would be a fine accompaniment and it doesn't have to be paired only with high-end cuisine. Why not enjoy Champagne with pizza? Or tacos? Or just a bag of salty potato chips?

Champagne and other Sparkling Wines are produced in a variety of styles, in different sweetness levels, and its diversity assists in making it friendly with a variety of cuisines. Rosé bubbly is one of my favorite styles, and I've found it great with many different foods. I urge you to experiment with food pairings. Grab a bottle of Sparkling Wine and drink it with whatever you're eating. You'll be surprised at how good it tastes with your food. And if you have guests, they'll think you're a wine genius for pairing bubbly with all the dishes.

Tuesday, May 16, 2023

2016 Fratelli Lunelli Ferrari Perlé Trentadoc: Impressive Italian Bubbly

The most famous sparkling wine is obviously Champagne, and for many average people, it has even become a generic term they use to refer to all sparkling wine. Many people are also familiar with other sparkling wines, such as Prosecco and Cava. However, there are numerous sparkling wines from other regions, such as Crémant d'Alsace and Franciacorta, which are relatively unknown to many people, although they are excellent sparkling wines, worthy of their attention.   

Another relatively unknown bubbly is Trentodoc Sparkling Wine from the Trentino region of Italy. In 1993, it acquired DOC status, and allows for white and rosé sparkling wines made in the metodo classico, primarily using Chardonnay and Pinot Noir. Pinot Blanc and Pinot Meunier are permissible grapes but are used far less commonly. There are currently about 44 producers in Trentino, producing a total of about 8.5 million bottles annually. 

One of the top producers is Ferrari Trento, and I previously had the pleasure to meet Marcello Lunelli, their Vice President and wine maker. For a more detailed article about the history, wine making, and philosophy of this winery, please read my prior article, Ferrari Trento: Italian Bubbly You Need To Know.

One of the most memorable statements from my prior tasting was when Marcello stated, "You don't need to be a sommelier as sparkling wine pairs with everything." When is the last time you paired bubbly with your dinner? Most people seem to drink it as an aperitif or celebratory drink, but it also pairs great with all types of food. More people should drink sparkling wine with their dinner, and it's an easy pairing. Even restaurant sommeliers rarely recommend drinking bubbly with dinner, but they too should be recommending it much more. 

I received a media sample of another of Marco's wines, the 2016 Fratelli Lunelli Ferrari Perlé Trentadoc ($40-$45). With a 12.5% ABV, it's produced from 100% Chardonnay, the best from their vineyards, and was disgorged in 2021. It was also aged for about 54 months on the lees. The 2016 vintage was difficult in some respects, but the harvest period was very good, allowing the grapes to be picked at a good ripeness with plenty of acidity. 

The wine has a light golden color and you can see many tiny bubbles, the perlage, in your glass. On the nose, it's alluring, with fruity notes accompanied by hints of toast and floral elements. As you sip it, you'll be impressed with the complexity of its flavor, including notes of green apples, peach, brioche, a briny touch, and almonds. Each sip brings something new to your palate. It's dry, crisp and elegant, with a mild creaminess, and a lingering, satisfying finish. An impressive sparkling wine, which you could easily confuse with actual Champagne. Highly recommended.

Wednesday, December 22, 2021

2021: Top Ten Wines Over $20

What were some of my favorite wines of the past year?


As 2021 has arrived, it's time to reflect upon the past year, to remember and savor pleasant memories. I've already posted a few of my annual Favorite Lists, including My Favorite Restaurants, My Favorite Food-Related Items, and Top Ten Wines Under $20. It's now time for my list of Top Ten Wines Over $20

This list includes wines that not only I enjoyed, but which I also found to be particularly compelling for various reasons. They might be especially delicious, something more unique or just excellent values for the price. They all stand out, for some particular reason, above the other wines that I've tasted this past year. 

This is a purely subjective list, based on my own preferences, and makes no claims about being the "best" wines out there. It is primarily the wines which spoke to me the loudest, even when they were subtle wines. These are all wines that I strongly recommend and which I believe many other wine lovers would also enjoy.

The wines are not listed in any particular order and each choice is linked to my more detailed prior review. All of these value wines are worth your consideration but please also note that the prices are approximations and the actual price may vary in your area. In addition, some of the wines might not be available in your local region, though you might be able to order them from the winery or an online store, dependent on your state's shipping laws. 

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1) 2019 Ritosa Malvazija Istarska ($22)
This Croatian white wine, from the Istrian region, thoroughly impressed me. Made from 100% Malvazija Istarska, the wine has a 13% ABV, and was very aromatic, with pleasant floral and spice notes. My first sip brought a smile to my face. It was complex and compelling, with a wonderful melange of harmonious flavors. It was fresh and crisp, refreshing and satisfying with a moderately lengthy finish. On the palate, it was fruity (especially peach and pear) and floral, spicy and with a nice minerality. There was so much going on in this wine, and all of it was delicious. I could easily sip this on its own, relaxing outside on a warm summer day, but it would also be a fine accompaniment with seafood, light chicken dishes, and cheese. 

2) 2017 Quinta da Baseira Tinto Bom ($22)
This Portuguese wine is produced from 100% Tinta Nacional, also known as Vinhão or Sousao. The grapes for this wine are trod by foot in steel vats, and aged in stainless steel for about three years. With a 13% ABV, the wine is also unfined, unfiltered, and has no added So2. It is more of a natural wine, intended to show the terroir of the vineyard. On the nose, there were interesting red fruit aromas with a hint of earthiness. It was medium-bodied, with a medium-red color, less dark than expected, and on the palate it was light, crisp and refreshing, with a mild effervescence, and flavors of red and black berries, and an earthy undertone. It possessed an intriguing taste, complex and delicious, with a lengthy and pleasing finish. Simply delicious. Serve slightly chilled, and enjoy on its own or with anything grilled.

3) 2019 Les Vins Pirouettes Eros by Vincent ($25)
An "orange" wine from Alsace! This wine is a blend, of 20 year old grapes from a Biodynamic vineyard, of 40% Pinot Gris, 40% Riesling, and 20% Sylvaner. The grapes are fermented on the skins for about 25 days, and the pink color of the wine comes from the Pinot Gris, which is a pink-colored variety. The wine is also aged on the lees in large foudre for about eight months. On the nose, there's an intriguing aroma of spice, citrus, and apples, although there are hints of even more. And on the palate, there's a compelling and complex melange of flavors, such a joy in the mouth. It is primarily savory, with baking spices, pepper, black tea, and more, combined with a variety of fruits, from citrus to pineapple. It is crisp, dry, well-balanced and with a pleasing, lengthy finish. Each sip brings something a little different to your mouth, and this is a wine you can slowly savor and enjoy. 

4) 2016 Vina Skaramuca Plavac Mali Dingac ($24)
Another Croatian wine, this red is made from 100% Plavac Mali, organically grown, and made with natural yeasts. It is aged for 12 months in large 3000L barrels, aged for another 6 months in the bottle, and has a 14% ABV. and is in a bigger, bolder style. This wine tends more to richer, black fruit flavors, like plum and black cherry, with an ample spicy element, strong tannins, and a touch of earthiness. A lengthy finish, nicely balanced, and quite tasty. This is a wine to pair with hearty dishes, from steak to stews. Or some wild boar. 
I explored a number of Nova Scotian wines this year, and was pleased to find so many tasty wines. This Rosé is a blend of Pinot Meunier, L'Acadie Blanc and Frontenac Noir. The wine was fermented in stainless steel and has only an 11% ABV. The Rosé had a nice pale pink color with a delightful nose of red fruits and a touch of herbal accents. On the palate, it was crisp, dry and clean, with juicy red fruit flavors of strawberry, watermelon and peach, with subtle touches of herbs. It was refreshing and delicious, with a moderately long finish. It was tasty on its own, but would also pair well with a variety of foods. 

6) NV Blomidon Cremant ($28) 
Another Nova Scotian wine, this is from a winery from which I've enjoyed a number of their wines. This Crémant, produced in the Méthode Traditionnelle, is a blend of Seyval Blanc, L'Acadie Blanc, and Chardonnay. This sparkling wine was disgorged in the winter of 2020 and only has an 11% ABV. With such a low ABV, you can easily have a couple glasses without any worry. On the nose, the sparkling wine was aromatic with fresh apple and stone fruit notes. When I peruse the glass, it had plenty of tiny bubbles and a bright golden color. On the palate, it was delicious and delightful, being crisp, dry and creamy. It was refreshing, with flavors of apple and pear, and a touch of minerality. It has a very dry, pleasant and lengthy finish.

7) 2019 Blomidon Estate Baco Noir ($22)
This Nova Scotian red wine is made from 100% Baco Noir, but the winery's website lacks any details of its production process, although it seems like it has seen some aging in American oak and it only has a 12% ABV. The wine has a medium-red color with pleasing aromas of red and black fruit with a touch of spice. On the palate, it was smooth and juicy, with rich black and red fruits, including some cherry and blackberry, complemented by some vanilla and other spices. Mild tannins, good acidity, and a nice finish. A very tasty wine, it had nice character and complexity, and would be excellent on its own or paired with food. 

8) 2019 Bent Ridge Winery Contorto ($23)
And one more Nova Scotian wine! This red wine is produced from 100% Marquette, and unfortunately, details of the production process are not available on the winery's website. I suspect it has received some oak aging and it has a 13.5% ABV. On the nose, there are notes of black fruits and spice, and the wine has a rich, dark red color. On the palate, it has a relatively complex and tasty blend of flavors, including black cherry and black raspberry, with spice notes and a touch of vanilla. It's a bolder wine, yet the tannins are still restrained, and the wine is balanced, with good acidity and a pleasing finish. This is a wine probably best paired with food, and the back label suggests pasta as one possible pairing..

9) 2017 Sarris Vineyards "V is for Vostilidi" ($30) 
What a fascinating and unique Greek wine! I first tasted this wine at Krasi, and loved it so much I had to order a case for home. The is 100% Vostilidi (an indigenous Greek grape), spontaneously fermented and aged for about 11 months in a neutral 2-ton Austrian oak barrel. The vines are organic, although not certified, and the wine has a 13.2% ABV. The color of the wine reminded me more of an orange wine than the usual white wine. On the nose, I found an appealing blend of fruit notes, from apricot to peach, with a tinge of honey. And on my palate, it provided a complex and intriguing melange of flavors, including peach, apricot, vanilla, sweet orange and sesame! I don't recall the last wine that ever brought to mind sesame seeds but I loved that aspect of the wine. Good acidity, some minerality, firm tannins, plenty of umami, and a touch of floral notes. So much going on in each sip and the finish was lengthy and very satisfying. Highly recommended!

10) Multivintage Bruno Paillard Premiere Cuvee Champagne ($60)
The final wine on my list is a splurge-worthy wine, especially for the holidays. This Champagne is the flagship wine for the style of this winery. In general, this Cuvée is a blend of about 25 vintages. The wine is also a blend of about 45% Pinot Noir, 35% Chardonnay, and 22% Pinot Meunier, from a selection of 35 of the 320 crus of Champagne. The wine is aged for three years sur lie, longer than the legal requirement, and then aged for at least another five months after disgorgement. The Première Cuvée has a nice golden color and very tiny bubbles are visible in your glass. The aromas are intriguing, with a fine melange of red berries, orange and grapefruit, and a hint of almond. As I tasted this wine, its elegance, complexity and freshness stood out, pure deliciousness and each sip made me crave more. Dry and crisp, the flavors were complex and tasty, including apple, citrus, almond, a touch of brioche, a streak of minerality, and red fruits, but each sip seemed to bring forth even more flavors. It's the type of Champagne to slowly sip, to revel in the different, intriguing flavors that flit over your palate. The finish is lengthy and satisfying, clean and pure. I loved this Champagne! Its elegance, subtlety and complexity are captivating. 


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This year, 6 countries/regions made the list with Nova Scotia taking the lead with four spots, followed by Croatia in second place with two spots. The other countries/regions include Portugal, Alsace, Greece, and France, all with one spot each. As for wine types, the list is also broken down into one  Rosé, two Whites, four Reds, two Sparkling, and one skin-contact White. I have other wine recommendations on my blog and you just have to search for them. 

If you have some of your own recommendations for excellent wines you've enjoyed, please add them to the comments.

Tuesday, December 14, 2021

"Multivintage" Bruno Pailiard Première Cuvée Champagne: Pure Elegance

"Frog eyes should not be in your bubbly."
--Bruno Paillard

That's a quote that has remained with me for the last ten years. While I was touring the Champagne region, I visited the small House, Champagne Bruno Pailiard, and listened to the passionate, and outspoken, Bruno Paillard. I wrote about my experiences in Champagne Bruno Pailiard: The Art of Assemblage. In short, Bruno feels that the bubbles in Champagne should be tiny, almost microscopic, and that large bubbles, "frog eyes" have no place in a quality Champagne. Few would dispute that Bruno Paillard produces high quality Champagne. 

Champagne Bruno Pailiard is a small, family-owned Champagne House that was established in 1981, making it 40 years old this year. They currently own about 79 acres of vineyards, almost half of which are Grand Cru. In general, the vineyards are farmed organically and sustainably. They also purchase about 50% of their grapes from a variety of other growers. Bruno sees this as an advantage, because he then gains access to so many different plots and terroirs. This allows him much more versatility and diversity in his Champagne blends, like giving him a vast palette of colors to compose his masterpieces.

As I wrote before, "To Bruno, the blend is the true heart of Champagne, and that assemblage is an artistic process. It is a composition, where different "colors" are used to create a greater "picture." For him, a Champagne label refers more to a person than a place, as it is the person who retains the control over the blend. Thus, a blend is the best way to be loyal to your signature, to express your creativity."

And as Bruno's website states: "A great champagne for Bruno Paillard is – above all – an “assemblage”, blending: of diverse crus, grape varieties and vintages. It is about the constant desire to capture the quintessential finesse and elegance which champagne can bring when it is served with love and care. The Bruno Paillard style is a marriage of elegance and complexity which is manifested as a light and smooth effervescence, a remarkable purity, a true freshness and a silky texture."

I received a media sample of the "Multivintage" Bruno Pailiard Première Cuvée ($60), which is the flagship wine for the Bruno Paillard style. Bruno doesn't like the term "non-vintage," as he believes it's meaningless. He prefers to use the term "multivintage," as it is more indicative of the actuality of the blend, usually a combination of grapes from several different vintages. In general, this Cuvée is a blend of about 25 vintages.

The wine is also a blend of about 45% Pinot Noir, 35% Chardonnay, and 22% Pinot Meunier, from a selection of 35 of the 320 crus of Champagne. The specific selection of crus is kept a secret. The Cuvée is meant to be consistent year to year, even when the harvest isn't the best. In addition, only the first pressing of the grapes is used. The wine is aged for three years sur lie, longer than the legal requirement, and then aged for at least another five months after disgorgement. 

To Bruno, the disgorgement date is an essential element of Champagne production, and in 1983, he was the first Champagne producer to place the disgorgement date on every single bottle of his production.  "By doing this, he tells the consumer about a key moment in the life of a champagne bottle: Disgorgement is like a second birth for the wine." The dosage for this wine is very low, meant to create "a very pure, very authentic champagne." 

The Première Cuvée has a nice golden color and very tiny bubbles are visible in your glass. There's certainly not a single frog eye. The aromas are intriguing, with a fine melange of red berries, orange and grapefruit, and a hint of almond. As I tasted this wine, its elegance, complexity and freshness stood out, pure deliciousness and each sip made me crave more. Dry and crisp, the flavors were complex and tasty, including apple, citrus, almond, a touch of brioche, a streak of minerality, and red fruits, but each sip seemed to bring forth even more flavors. It's the type of Champagne to slowly sip, to revel in the different, intriguing flavors that flit over your palate. The finish is lengthy and satisfying, clean and pure. 

I loved this Champagne! Its elegance, subtlety and complexity were captivating. And it offers so much more than many other Champagnes at a similar price point. It would be great on its own, as an aperitif or celebratory drink, but it would also pair well with a variety of foods. I'd love to drink it with oysters or even lobster. And Champagne and potato chips is always a fun pairing. The Bruno Pailiard Première Cuvée earns my highest recommendation.

Monday, October 19, 2020

Rant: Drink Champagne With Food!

"You don't need to be a sommelier as sparkling wine pairs with everything."
--Marcello Lunelli

This Friday, October 23, is Champagne Day, an international celebration showcasing French Champagne. Numerous events will be held on this day, though obviously the pandemic will limit some of these celebrations. So, this week's Rant is a perfect place for a Champagne-related topic.

When do you drink Champagne? For most people, it's merely an apertif or for a celebratory toast. Yes, it's excellent on these occasions but it can be so much more. Many people don't realize that Champagne also pairs very well with a wide variety of foods, and can be consumed throughout the course of a meal, from appetizer to dessert. When's the last time you enjoyed Champagne during your dinner?

Even restaurant sommeliers rarely recommend drinking Champagne with your dinner. And that is a mistake. Sure, there are plenty of wines that pair well with food, but why omit Champagne from the discussion? When's the last time a sommelier suggested that you drink Champagne throughout the course of your dinner? 

Wine lovers need to get over their misconception that Champagne is mainly an aperitif or celebratory wine. They need to take the chance and drink it with whatever they choose to eat, from seafood to steak, pasta to Chinese food. It may be one of the most versatile wines when it comes to food pairings, and it can be so delicious. 

When I visited the Champagne region, I experience Champagne paired with nearly all of my food courses, for both lunch and dinner. I found Champagne to pair well with so many different dishes and you really can't go wrong selecting it for your meal. No matter what the cuisine, Champagne would be a fine accompaniment and it doesn't have to be paired only with high-end cuisine. Why not enjoy Champagne with pizza? Or tacos? Or just a bag of salty potato chips?

Champagne is produced in a variety of styles, and its diversity assists in making it friendly with a variety of cuisines. Rosé Champagne is one of my favorite styles, and I've found it great with many different foods. I urge you to experiment with food pairings. Grab a bottle of Champagne and drink it with whatever you're eating. You'll be surprised at how good it tastes with your food. And if you have guests, they'll think you're a wine genius for pairing bubbly with all the dishes.

Wednesday, December 18, 2019

2019: Top Wines Over $50

What were some of my favorite wines of the past year?

Welcome to my third Top Wines List. I've already posted my Top Ten Wines Under $20 and Top Ten Wines Over $20 (But Under $50). It is now time for my Top Wines Over $50. This isn't a Top Ten list as there aren't always sufficient wines at this price point that I've tasted and deemed worthy for inclusion. Like the prior lists, this list includes wines that not only I enjoyed, but which I also found to be particularly compelling for various reasons. They might be especially delicious, something more unique or just excellent values for the price. They all stand out, for some particular reason, above the other wines at this price point that I have tasted this past year.

This is a purely subjective list, based on my own preferences, and makes no claims about being the "best" wines out there. It is primarily the wines which spoke to me the loudest, even when they were subtle wines. These are all wines that I highly recommend and which I believe many other wine lovers will also enjoy.

The wines are not listed in any particular order and each choice is linked to my more detailed prior review. All of these value wines are worth your consideration but please also note that the prices are approximations and the actual price may vary in your area. In addition, some of the wines might not be available in your local area, though you might be able to order them from the winery or an online store, dependent on your state's shipping laws.

1) 2014 Shirvington Cabernet Sauvignon ($58.99)
Made from 100% Cabernet Sauvignon, and with a 13% ABV, this Australian wine was compelling. With a dark red, almost plummy color, the wine had an appealing nose of red fruits with subtle spice notes. On the palate, there was an initial taste of bright red fruits, cherry and raspberry, and on the finish it transformed so there were more black fruit, plum and black cherry, flavors. Throughout the complex palate, there were subtle spice notes, restrained tannins, and a hint of sweetness. It was a more elegant wine, with a lengthy, satisfying finish, and it was a delightful companion to steak.

2) 2014 Podere Il Carnasciale Caberlot (about $275/magnum)
This unique wine is made from Caberlot, a natural crossing of Cabernet Franc and Merlot, using only their best and oldest grapes. The wine is unfiltered, has a 13.5% ABV, and is bottled only in magnum. It was a more complex wine, with silky tannins, vibrant plum and black raspberry flavors, and a spicy backbone. Each sip delivered an intriguing taste, which tantalized the palate with a harmonious melange of flavors. The lengthy finish was satisfying and the acidity was spot-on. It would benefit from food pairing, maybe wild boar or lamb.

3) 2017 Antiquum Passiflora Pinot Noir ($58)
This Oregon Pinot Noir, using high altitude grapes, is a superb wine, fresh and vibrant. It also possesses a light red color, an alluring aroma, and a complex melange of flavors, including plum, black cherry, and almost tropical fruit notes. There are also earthy notes, accompanied by chocolate and dark spices, with a very lengthy finish you didn't want to end. Some a compelling Pinot.

4) 2016 Troon Vineyard Cuvée Pyrénées ($65)
Also from Oregon, this wine is a blend of 62% Tannat & 38% Malbec, has a 13.5% ABV, and is produced with native yeast, no new oak, and spends some time in concrete. This was a fascinating and impressive wine, with a rich, almost purplish color, and a nose of black fruits and spice. On the palate, there is plenty of intriguing complexity, each sip delivering something different to your palate. Ripe plum, black raspberry, hints of cherry, chocolate, dark spices, rich acidity, and more. The tannins are well integrated and the finish is lengthy and satisfying. A well-balanced wine, it brings hedonistic pleasure to your palate, and would be a great accompaniment to steak, wild boar, or other hearty dishes.

5) NV Krug Rosé (about $300)
This Rosé is a blend of 51% Pinot Noir, 17% Chardonnay, and 32% Pinot Meunier. The blend also contains 22 wines, 5 vintages (2005-2010), 47% Reserve wines, and 9% macerated Pinot Noir. Elegant, complex, and subtle, it seduces your palate with its compelling melange of flavors, from red fruits to citrus. It is delicate and fresh, with crisp acidity and pure deliciousness. Each sip tantalizes and satisfies, and will make you yearn for another sip. While it might not possess the depth of the other two Champagnes, it still pleases on many levels. This is a Champagne of romance, a bottle to share with your significant other for celebrations, or simply to make any night even more special.

6) 2016 Halter Ranch Ancestor ($80)
A Bordeaux style blend, from Paso Robles, California, this wine, at 14.6% ABV, is composed of 70% Cabernet Sauvignon, 19% Petite Verdot, and 11% Malbec. The aromas of this wine were compelling, alluring notes of black fruits and dark spices, which meshed so well together, almost like the smell of a freshly baked fruit pie. On the palate, the wine was powerful yet elegant, with well-integrated tannins and a silky mouthfeel. It possessed a complex melange of flavors, with rich blackberry, black cherry and blueberry, mixed with dark spices, vanilla, and some mineral notes. It was rich and delicious, a hedonistic wine which is sure to please. You don't want its lingering finish to ever end. Paired with a juicy steak, this is a fantastic pairing, and it certainly would do well with many hearty dishes.

Summary

This year, there were five countries and regions on this list, with only Oregon occupying two spots, the others being Australia, California, France, and Italy. Of these six wines, they also consist of one Sparkling Wine and 5 Red Wines. Not all expensive wines are worth their high price but these wines well worth the splurge. These are the type of wines that words often cannot do justice. These are wines to experience and savor, not to dissect and analyze. These wines should be shared with others, with family and friends, to share the experience. With the holidays near, why not splurge and buy one of these wines.

If you have some of your own recommendations for unique and compelling wines over $50, please add them to the comments.

Wednesday, May 29, 2019

Krug Champagne: First, Learn Patience (Part 2)

"Krug is a real wine; most champagne is fizzy celebration drink."
--The Los Angeles Times, September 14, 1975, A quote from Remi Krug

As I mentioned yesterday, Krug & Co. was founded by Joseph Krug in 1843, and only six years later, his Champagne was available in the United States. Joseph's philosophy and beliefs about Champagne production still have a significant effect on Krug's current winemakers. The company has remained true to its roots, yet still has looked to the future, innovating when they feel it will lead to better Champagne. That may be an important reason why this House has such a stellar reputation.

Recently, I interviewed Julie Cavil (pictured above), the Wine Director at Krug, delving deeper into the world of Krug, gaining a better understanding of what lies behind the production of their esteemed Champagnes. Julie was personable, sharing numerous stories about her time at Krug, and her passion for Champagne and Krug was more than evident. To her, this is the best job ever and she is quite sincere in her love for Krug and Champagne.

Julie began her career working in customer relations for an advertising agency, but in 2001, desirous of a career change, she moved with her husband to Champagne. She studied winemaking at the University of Reims and worked during four harvests at Moët & Chandon. In 2006, she was hired as a winemaker at Krug. As the Wine Director, she works with four other team members, and she is involved in the production of all of their different Champagnes. She only has praise for her team members.

Compared to some of the other major Champagne Houses, production at Krug is relatively small, possibly around 600,000 cases as contrasted to the millions of cases produced by other Houses. Most of their production is for their Grand Cuvée. Julie stated that Krug possesses the autonomy of the small Grower but the means of a big House. Their production level is likely to remain relatively the same for years to come, with no desire to increase their output. They don't want to sacrifice quality for quantity.

As Julie put it, at Krug, they never blend an element they don't know. Currently, their winemaking team is able to handle the amount of wines and samples they possess, with the ability to properly understand each and every separate element. That is vital when you are blending wines to create Champagne. If they suddenly doubled the amount of samples, they would be overwhelmed, unable to properly devote sufficient time to each sample, Their understanding of the sample wines would suffer and they couldn't properly blend what was needed. They require a certain level of intimacy with the sample wines that cannot be achieved by them past a certain point.

It is a great challenge, as Julie mentioned, to make the very best Champagne, year after year, replicating the same quality. The object of Champagne is to pick and select grapes from all over to produce the desired blend. It is about the expression of the grapes and vineyards, despite annual variations due to vintage. For the blend, you "need strong voices in individual elements" and want to preserve individual typicity, what makes each plot unique.

However, at Krug, there is no compromise permitted when selecting the wines for their blends and Julie provided a fascinating example. Krug had produced about 12,000 bottles of 1999 Clos Mesnil, from one of their top vineyards. The tasting committee sampled this wine on numerous occasions, and Julie mentioned that though it was good, there was something missing from the middle of the palate. Their opinion was that the Champagne didn't meet their standards and they proposed to the President of Krug that the Champagne shouldn't be released. That is a huge statement! The President eventually agree with them, the Champagne wasn't released and most of it ended up being used as a reserve wine. Julie was extremely proud of her decision being backed by the President.

"Krug has body, you have something to eat in Krug, a roundness, a fairly strong bouquet. That's why you can even drink it after coffee."
--The Los Angeles Times, September 14, 1975, A quote from Remi Krug

Julie mentioned that one of the first lessons you learn at Krug is to have patience. The production process is a lengthy one, including at least 7 years of aging for their Grand Cuvée, and even longer, 0-12 years, for their Vintage champagnes. When you consider the addition of reserve wines to each blend, it is easy to see why they sometimes say that at least 20 years go into the production of each bottle of Krug.

Around 1848, Joseph Krug penned a notebook of his beliefs and philosophy on Champagne, giving a sense to what he was doing, one that is still used at Krug. Joseph wrote the notebook for his son, Paul, who was only six years old at the time. In time, Paul would assume the leadership at Krug, bringing an equal passion as his father. Joseph's first belief was that you need good elements for good champagne, and his second belief was that a good House should only create two cuvées of quality, a Good Cuvée and a Cuvée of the Circumstances. Currently at Krug, their first cuvée is their Grand Cuvée and the second is their Vintage. There isn't a hierarchy of quality between these two Champagnes, merely a difference in price.

Everything begins in the vineyard, where Krug seeks the best elements for their Cuvées. Each Clos is the best illustration of the House, presenting 1 plot, 1 year, 1 variation. Their vision of the cuvée is to push each unique plot. They are referred to as a soloist wine, and by the end of harvest they will have about 250 soloist wines. They must respect what they harvest, and fortunately have the luxury of being at the right time at the right plot during harvest. They sleep little during the pre-harvest, as they must taste all of the lots each day before harvest, to monitor the aromatics. Once they detect no more vegetal notes, when the taste of the grapes is fruity, they know they have about 24 hours to pick them all.

However, they will only use the best, as they don't want to make an average wine. For example, the Clos de Mesmil plot is only 1.84 hectares, yet there could be a difference as much as 1.5% alcohol in different parts of that small plot. As such, not all of the grapes are the same, and Krug must differentiate the best.

Everything will then be vilified separately, the preservation of their individuality, best reflective of the specific vineyard. This is a time of close attention to details, of intense monitoring, as a small mistake can ruin everything far too easily. They need a naturally clarified must and Krug is very demanding with all of their pressing houses, keeping them to a 24 hour deadline.

The musts are initially kept in casks, with an average age of 17 years, and Krug owns about 4700 casks. Sometime in November or December, the tasting committee, which is composed of six people, equally split between male and female, will taste all of the musts, which are still young, with an understated personality. Each of the six people has a different personality, and some are more sensitive to certain aromas than others. They know each other well, working as a collective for the blending process. At this point though, no decisions are made, simply initial observations.

Traditional racking is then done and the wines are isolated in small stainless steel vats. At this time, the tasting committee will also taste all of the reserve wines, about 150 in total from 15 different harvests. It won't be until the Spring that the tasting committee will return to the wines from the last harvest. The wines open up more in Spring, and they can witness the evolution of the wines from winter to spring. For one hour each day, they will taste about 15 wines, giving descriptions to each wine, including deciding whether the wine will go into the Grand Cuvée, the reserve wines, or even the Rosé.

Finally, they construct a blueprint for the Cuvée, based on their tasting notes only, and in the last week of March, they create their blend. This year, they will bottle the 174th edition of the Grand Cuvée, which won't be released until 2026. With all of the different wines they have available for blending, it isn't too difficult to make the Grand Cuvée. It is more difficult to decide on whether to bottle a Vintage or not. One of the toughest challenges is choosing whether to use a wine for a Vintage Champagne or to give it to the Reserve wines. There is a definite need to replace Reserve wines to preserve future creators of Grand Cuvée. For example, the 2012 vintage was great, but there was a small yield, and they made the touch choice not to make a Vintage that year and give all of the wine to the Reserve wines.


"Private Cuvee is Krug. A vintage Krug is a marriage between Krug and the year."
--The Los Angeles Times, September 14, 1975, A quote from Remi Krug

I tasted through three Krug wines, including the 2004 Vintage, the Grand Cuvée, and the Rosé. My personal favorite was the Rosé, though all three were excellent and I wouldn't be disappointed drinking any of them.

There is always a story to tell about a Vintage. At Krug, Vintage is how they tell the story of the tasting room after the harvest, how they personally felt about that year. Their Vintage Champagne is always a blend of Chardonnay, Pinot Noir, and Pinot Meunier. They also prefer to have two different Vintages available in the market for comparison purposes. Julie stated that her favorite more recent Vintage was 1988, which was an austere year. She loves that austerity, feeling it is a signifier of elegance and an excellent aging potential. 1988 is a Vintage for connoisseurs, and will become even better with more time. Julie is also a fan of the 2002 Vintage.

"...the 1928 vintage Krug, which many experts call the champagne of the century."
The Los Angeles Times, September 14, 1975

The 2004 Vintage (about $250) is part of a trilogy of excellent, consecutive years, from 2002 to 2004, and is only the second trilogy in the history, the other being 1988 to 1990. The 2002 to 2004 wasn't released in chronological order but in tasting order, so the 2003 Vintage was released first. The 2004 Vintage, which Julie has given the nickname "luminous freshness," is a blend of 39% Chardonnay, 37% Pinot Noir, and 24% Pinot Meunier. I found this Champagne to be fresh, elegant and complex, with intriguing notes of citrus, brioche, and honey. Intensely aromatic, dry, refreshing, and with a lengthy, pleasing finish. This is an absolutely delicious Champagne, where each sip brings something new to your palate.

The Grand Cuvée (about $180) is usually a blend of about 150-250 wines, and at Krug, they like to use musical references to explain their Champagne. Sometimes they refer to the "music of the year," comparing specific vintages to types of instruments. For example, 1990, which was a hot year, is compared to brass instruments while 1998 is compared to a string quartet. Then, when they put together all of these varied ensembles, they can create a full symphony orchestra in their Grand Cuvée. 

This particular Grand Cuvée is the 167th edition, which is a blend of 48% Pinot Noir, 35% Chardonnay, and 17% Pinot Meunier. The blend also contains 191 different wines, including 13 vintages (the oldest from 1995, the newest from 2011), and 42% Reserve wines. Once again, this Champagne was fresh, elegant and complex, and seemed to possess even more complexity than the Vintage. Besides fascinating notes of citrus, tropical fruit, floral elements, candied fruit, and toast, there was a subtle earthiness as well. Excellent acidity, a powerful finish, and this is certainly a Champagne to slowly savor, enjoying each intriguing moment, bringing subtle differences with each sip.

Krug values transparency in most matters, so each bottle of Grand Cuvée now possesses a special ID code on their label, which can be used on the Krug website to provide information about that particular edition of the Grand Cuvée. One of the only pieces of information you won't find is the disgorgment date as they feel it gives the wrong message to consumers.

My favorite of the three Champagnes was the Rosé (about $300), which Julie stated is the toughest blend to produce. For a long time, Krug was opposed to producing a Rosé, as initially Rosé was seen as a simple wine, and not a high end product that would fit within the Krug portfolio. It was the 6th generation which decide to experiment with Rosé, using grapes from the 1976 harvest, which was a hot year. They kept the Rosé a secret as it aged in their cellar. Finally, during a Sunday lunch, they poured some of the Rosé, blind, for their father, Paul Krug, who had long opposed Rosé. He approved of it and Krug finally began to create this blend each year.

Julie stated that the Rosé doesn't possess the same depth as the other blends as it contains far less wines. A significant aspect of the difficulty of producing this wine is the addition of some red wine. Thus, they have to anticipate what the blend will offer after about seven years of aging. The red wine changes everything, making that anticipation more formidable. However, this Rosé was my favorite of the three Champagnes.

This Rosé is the 22nd edition, a blend of 51% Pinot Noir, 17% Chardonnay, and 32% Pinot Meunier. The blend also contains 22 wines, 5 vintages (2005-2010), 47% Reserve wines, and 9% macerated Pinot Noir. Elegant, complex, and subtle, it seduces your palate with its compelling melange of flavors, from red fruits to citrus. It is delicate and fresh, with crisp acidity and pure deliciousness. Each sip tantalizes and satisfies, and will make you yearn for another sip. While it might not possess the depth of the other two Champagnes, it still pleases on many levels. This is a Champagne of romance, a bottle to share with your significant other for celebrations, or simply to make any night even more special.

Krug doesn't produce inexpensive Champagnes, and for most people, they would be a significant splurge. If we look back almost fifty years, we can find a newspaper which addressed this very issue. The Pottstown Mercury, September 8, 1972 (PA) published an article, High Cost of Champagne Due to Process of Making Wine, and primarily used the example of Krug. As the article stated, "Krug is the champagne house that nearly every connoisseur ranks first, as one of three or four favorites, or in a class by itself." The article discussed a number of reasons why Krug incurred significant costs in producing their Champagne, such as the cost of its grapes to its small oak casks. The article concluded, "Such scrupulous rejection of everything but the best, vigilent control, retention of innumerable hand operations, and long years of cellar age result in superb champagne. Naturally it's expensive."

What is the future of Krug? At Krug, they are always questioning their methods, processes, and technology, seeking ways to optimize their work and bring more precision. Despite their strong foundation in the past, in the philosophy of Joseph Krug, they still value technology. However, their primary question when addressing new technology is, will it bring change for the best? And often, they need to wait seven years, when the Champagne ages in the cellar, before determining the effect of many changes. Sustainability is a priority to them and they are always learning more and more about this issue. They also have been accumulating mounds of data about each of their vineyard plots, a repository of information for future generations.

Finally, Julie also mentioned that a dream of hers would be to one day make her own type of Krug. To her, Champagne is charismatic, possessed of great expression. Her vision would be to "try to reconcile all the elements into one," to put the power, elegance and aromatics into "one sip." That sounds like quite the challenge and I hope that Julie gets that opportunity one day.

"Only by blending, do you get balance. It is like a symphony as opposed to a sonata. From beginning to end, we make choices of what fits with our quality."
--Chicago Tribune, August 26, 1976, quote from Remi Krug

Tuesday, May 28, 2019

Krug Champagne: Early History In The U.S. (Part 1)

"What effect does too much Krug Champagne have on a man? It makes him walk krug-ed."
--The Times Democrat, March 3, 1867 (LA)

Krug Champagne. A Champagne House that has existed for 176 years and has a stellar reputation for exquisite Champagne. Its production level is much less than other major Houses but that is a choice they make. Their least expensive Champagne will run you at least $150 but is well worth the splurge.

Recently, I had the opportunity to interview Julie Cavil, the Wine Director at Krug, to delve deeper into the workings of their cellar, to better understand their process and philosophy of Champagne production. It was a fascinating discussion but I want to begin this two-part article with some history of Krug, especially its early history in the U.S.

The founder of Krug, Johann-Joseph Krug, was born in 1800, in the city of Mainz, which is now part of Germany. However, at the time of his birth, Napoleon Bonaparte had recently annexed the territory so it was technically part of France. It wouldn't be until 1814 that the French were ousted and Mainz once again became part of Germany. Around 1824, Joseph, who had dropped the use of Johann, decided to leave home, eventually settling in the city of Hanau, working as a merchant.

Eventually moving on again, Joseph traveled to Paris in 1834 and fortuitously ended up working for Jacquesson & Fils, a Champagne producer in Châlons-sur-Marne. He quickly became such a valuable employee that he was made a partner in 1835. At the time, Joseph vowed to remain a partner for life though that vow lasted less than ten years. In 1842, he left Jacquesson to establish his own Champagne house and in 1843, he founded Krug et Cie. Joseph died on August 5, 1866, and his son Paul Krug, who had an equal passion for Champagne, took over control of the House.

When was Krug Champagne first exported to the U.S.? How much did it cost? Did Americans like Krug or prefer other Champagnes? Let's explore some of the early history of Krug in the U.S. and learn the answers to these and other questions.

Champagne was imported into the U.S. at least as far back as 1764, and during the late 18th century, both Still and Sparkling Champagne wines were available. During the early 19th century, the options included Still White and Red Champagne, as well as Sparkling. It wasn't until 1823 that the first specific Champagne brand was listed in a newspaper advertisement. Before that time, all of the ads simply referred to Champagne generically, sometimes mentioning "superior quality" Champagne without specifying a brand. Even when brand names started to be mentioned in some ads, many of the ads still failed to specify a brand.

Even most of the brands that were mentioned probably wouldn't be familiar to many modern readers. It wasn't until the 1830s that we begin to see some of the names of Champagne Houses which still exist, such as Ruinart, Clicquot, and Heidsieck.

The first evidence I found of Krug's presence in the U.S. is from 1849, remarkable considering the House was only 6 years old at that point! The Evening Post, December 27, 1849, published an advertisement for Thomas McMullen who offered a number of imported wines for sale, including Champagne from Krug. & Co., in quarts and pints.

It is also intriguing that the Champagne wasn't offered in 750ml bottles, the norm nowadays, but rather in quarts and pints. In comparison, a quart has about 946ml and a pint has about 473ml. Champagne would continue to be sold in quarts and pints for the rest of the 19th century, as well as into the start of the 20th century.

The next mention was in the Boston Post, January 15, 1852, which published an ad for John S. Blake, selling at the Central wharf, a few baskets of "the superior quality Krug & Co. White Label Champagne Wine," available in quarts and pints. The Boston Post, November 16, 1855, then published an ad, from George Greig & Co., agents for Krug & Co. They had some Krug Champagne for sale, noting "This Wine is well known in the country, particularly in Canada, where it has long been a favorite brand with the Officers of Her Majesty's Regiments stationed there, and it can be afforded at moderate prices." They even allowed some sampling, stating, "Good judges are invited to sample it, for which no charge made."

The Daily Alta, October 26, 1856 (CA) printed an ad for Hellman Bros & Co., a wine importer, selling quarts and pints of Champagne, including the "Shield" brand from "Krug & Co., from Rheims." There was another ad from the same importer in the The Daily Alta, December 25, 1856 (CA), simply offering Champagne from "Krug & Company's Reims" without mentioning a specific brand.

In the next year, The Times-Picayune, February 16, 1857 (LA) printed an ad for Eug. Rochereau & Co., noting wines and brandies they had for sale, including Champagne of "Krug & Co." They posted additional advertisements in the The Daily Delta, January 13, 1858 (LA) and Commercial Bulletin, January 28, 1860 (LA), indicating they still sold Champagne from Krug & Co.

As an aside, 1857 might also be the year that Krug Champagne was first introduced to Canada. The Gazette, August 5, 1857 (Montreal) had an ad from an importer noting they have recently brought in "Krug Champagne, Shield brand." I don't possess any additional information about this Shield brand but I am seeking to learn more, and this brand will also be available in the U.S.

In the Daily Alta California, July 3, 1862, under an article, Market Review, describing the current California market for numerous trade goods, it indicated, "Some little demand exists for Champagne, but the general trade is dull." It also notes the sale of "90 baskets of Krug Champagne."

An advertisement in The Times-Picayune, December 28, 1864 (LA) described a new business led by George Palmer, agent, wholesale and retail dealer in "Superior Wines, Liquors, Cordials, &c." His new store had 50 baskets of assorted Champagne brands, available in quarts and pints, including Krug & Co.

At the top of this article, I posted a Krug riddle and pun, and that same source, The Times Democrat, March 3, 1867 (LA), published a second one too. "Why is Krug Champagne like letter paper? Because it is put up in reams (Reims)." These were the only two Champagne riddles mentioned in this article, and seems to be indicative of the popularity of this brand.

The Sugar-Planter, August 22, 1868 (LA) listed an ad for an importer, noting he had just received "Genuine Krug Champagne" in pints. The addition of the adjective "genuine" may indicate there was an issue with counterfeit champagne. As I'll note later, the problem of counterfeit Krug during the later half of 19th century definitely existed.

Maybe the first reference to the taste of Krug is mentioned in The Courier-Journal, November 3, 1868 (KY).  The advertisement states, "W.H. Walker & Co. have been appointed sole agents for the Krug Champagne, a wine that is being introduced into this country by Rocheveau of New Orleans. We have tried it and can speak of its merits with some assurance. It is very light and delicate, and--what is rare--not too sweet. It is a cross between the Heidsech and Cliquot. Of its genuineness there can be no doubt. It has the veritable Reims flavor." This indicates that Krug was less sweet than many other Champagnes. This advertisement also references its terroir, noting how it possesses the "Reims flavor."

The first prices I found for Krug Champagne were listed in the Nashville Union & American, September 9, 1871. A.C. Carter indicated he just received 10 cases of "the celebrated brand Krug & Co.'s Champagne," quarts and pints, from his importer in New York. He continues that "as money is about played out" he is offering to sell the Krug for $3 for quart and $1.50 for pint bottles.

Interestingly, it was a Canadian newspaper that provided statistics on Champagne imports into the U.S. during 1876. The Gazette, January 4, 1878 (Montreal) posted information from "Bonfort's Wine and Liquor Circular, of Jan. 18, 1877," listing the amount of imported cases of various Champagne brands in 1876. The top three brands were G.H. Mumm & Co. (34,815 cases), Piper-Heidsieck (20,202 cases), and L. Roederer (17,185 cases). Krug & Co. was in 8th place, with 4,915 cases. The total amount of imported cases of all Champagnes was 139,313 cases. So, you can see that the percentage of imported Krug was less than 4% of the total imports of Champagne.

As a follow-up, The Gazette, February 6, 1878 (Montreal), posted similar information for the year 1877. The top three brands remained the same, though the amounts were different: G.H. Mumm & Co. (35,270 cases), Piper-Heidsieck (23,879 cases), and L. Roederer (12,808 cases). Of the three, only L. Roederer saw a loss, about 4300 cases. Krug & Co. jumped a spot to 7th place, with 4800 cases, despite a small loss of about 100 cases. Total imports of Champagne dropped by about 7000 cases.

The next year, The Gazette, March 21, 1879 (Montreal), posted similar information for the year 1878. Once again, the top three brands remained the same, though the amounts were different: G.H. Mumm & Co. (35,986 cases), Piper-Heidsieck (19,636--a loss of about 4000 cases), and L. Roederer (13,469 cases). Curiously, and for unknown reasons, Krug & Co. was not listed on the chart this year. Total imports of Champagne once again decreased, this time by about 6000 cases.

In the Oakland Tribune, July 29, 1876, there was an advertisement by Hellman Bros. & Co., sole agents, for sales of Krug-Champagne. They advertised three different type of Krug, including: Private Cuvee, Shield, and Premiere Qualite, all available in quarts or pints. Unfortunately, no description was given for these three types. As a follow-up, the Oakland Tribune, November 14, 1979, provided some prices for Private Cuvee ($28-$29), Shield ($21-$22), and Premiere Qualite ($18-$19). In comparison, Piper-Heidseck was priced at $25-$27 and Louis Roderer at $30-$32.

In a return to a discussion of dry Krug, The Times-Picayune, November 11, 1879, (LA) mentioned how A. Rochereau & Co. recently received a shipment of Krug, "..of a 'dry' quality, which, as we are informed, has been especially prepared for the United States." This is noted as the start of regular shipments of the dry Krug, which previously was available only by special order, and now will be for the general public.

Here is a copy of an ad from The Daily Item, November 19, 1879, (LA), noting the availability of both Dry and Standard types of Krug.

There is some follow-up from The Times-Picayune, November 30, 1879, (LA), noting that since the first lot of dry Krug has arrived, it has been very popular, and has even "received the indorsement of the Northern press and connoisseurs in general."  It continues, "The high opinion held about it by gentlemen here is guarantee sufficient to say that there is no finer nor more delicately flavored wine than the Dry Krug Champagne." The New Orleans Daily Democrat, November 30, 1879, added some comments on Dry Krug, noting that: "..if we may believe the opinions of some of the most distinguished connoisseurs North and West, is destined to become the leading wine in the United States."

In a brief article specifically dealing with Champagne, the Commercial Bullein, December 6, 1879 (LA), stated, "Among the various brands of wine which were introduced into this market during the past quarter of a century, there is not one that has attained the reputation that has been accorded to Krug." The article also states, "As the holidays are approaching we would remind our readers that no hidden headaches are concealed in Krug, which many no doubt found to their sorrow was the case in other brands of champagne."

Another holiday reference is from The Times-Picayune, December 25, 1880 (LA), which printed, "Krug For Christmas--Good wine needs no push--neither does Krug champagne which is accounted one of the purest and finest wines ever distilled from the generous grape. It has flavor and tone and exhilarating properties of a kind to make the heart feel happy and forgiving to all the world."

Here is a picture of a Krug bottle provided in an advertisement in the New Orleans Price-Current, March 16, 1881.

Counterfeit Krug alert! In The San Francisco Examiner, October 10, 1882, Hellman Brothers & Co., agents for sales of Krug-Champagne, posted a warning about counterfeit Krug, including the intent to prosecute anyone who counterfeits Krug, heir trademarks and labels. The warning also notes that authentic Krug will have the name branded on the bottom of the cork, as pictured above. With the great popularity of Krug, and its sales restricted to specific agents, one can understand the financial temptation to counterfeit it, like why high-end Bordeaux is currently counterfeited in China.

Changes came to the Krug market in 1885. In an advertisement in The Times-Democrat, September 3, 1885, (LA), it was noted that the only Krug Champagne now being imported was the "Krug Sec," which is said to be superior to "Carte Blanche" and "Private Cuvee." Another ad in The Times-Democrat, December 27, 1885, (LA) reported that, "The Krug Champagne in baskets is no longer imported in the U.S. It is replaced by a far superior wine, which is the 'Krug Sec.' Imported in cases, and which is equal in quality to the best brands of Champagne."

The term "Sec" now generally signifies a Champagne with 17-32 grams of sugar per liter, so it would tend to be sweeter than what many consider a "dry" champagne. However, additional advertisements seem to indicate the "Krug Sec" was a more dry version. The Montgomery Advertiser, December 14, 1886 (AL), mentioned "Krug Sec, Extra Dry" and The Courier-Journal, December 15, 1889 (KY), had a wine store add selling "Krug Sec--a Fruity and Dry Champagne."

More Krug prices! The Chicago Tribune, May 26, 1895, printed an ad for A.M. Rothschild & Co., a wine retailer. Prices of Krug Champagne were listed as a quart bottle for $1.13, a dozen quarts for $12.45, a pint for 63 cents, and a 2 dozen case of pints for $13.35.  In The Galveston Daily News, April 2, 1905 (TX), the regular price of a quart of Krug was $1.50, but it was on special for only 80 cents. The Hartford Courant, December 30, 1912, advertised Krug at $3.25 bottle and a case $35.00. The St. Louis Post-Dispatch, December 9, 1915, posted an ad for Krug quarts ($3.45) and pints ($1.85).

In another anti-counterfeiting measure, The Sun, July 27, 1906 (NY) ran an ad noting that all Krug champagne had the words Private Cuvée on the labels and corks.

Vintage Krug appears? The Hartford Courant, February 6, 1907, presents an advertisement for a wine store and importer, which offers "Krug Champagne, 1900 Vintage." According to Champagne, Uncorked, by Alan Tardi, "The house of Krug made its first vintage Champagne in 1904 (though bottles with a year indicated on the label are said to have been found in the Krug cellars as early as 1880);" So, the 1900 offering might not have actually been Vintage Champagne, despite having a specific year on its label.

The first mention of Champagne splits I found was from 1908. The Washington Post, January 30, 1908, published an ad for To-Kalon Wine Co., indicating "One Basket Only--Left. Contains 12 Splits Krug Imported Champagne; ideal for the sick room. Special price, including basket, $9.00." I guess if you are ill, some champagne might help perk you up.

As we saw, Krug Champagne did very well in the U.S. during the 19th century, and a dry version was generally preferred. Krug offered a few different brands, though no description was provided for any of them. Counterfeiting was an issue though measures were taken to prevent it. I hope you've enjoyed this historical peek into the early history of Krug Champagne in the U.S.

In Part 2, I take a look at Krug today, with my interview of Julie Cavil, Wine Director at Krug.

Monday, September 24, 2018

Rant: Should You Drink Port Wine Before, During Or After Dinner?

Portugal Giving Up Port Making
OPORTO, Portugal (UPI) Portugal’s port wine industry turned sadly today to the task of developing a wine that tastes good served with soda, ice and salted peanuts. After centuries of turning out casks of port wine, the industry's leaders have decided that the jet age prefers almost anything to port, even sherry. "This idea of turning port into a sort of lemonade might seem like a crime of the greatest magnitude,” said Jose Correia de Oliveira, Portugal’s secretary of commerce. One of the biggest headaches the industry has is that port is an after-dinner drink. "It is very difficult for us to persuade the consumer to hold off drinking until after dinner,” Oliveira said."
--Madera Tribune (CA), March 9, 1960

The demise of Port? It was apparently a low time for the Port industry, though it raises an intriguing point concerning how wine may be viewed by the general public. If a wine is perceived only as an after-dinner drink, its consumption will be more limited than other wines that might also be drank as an aperitif or during dinner. In addition, not everyone may want to continue drinking after dinner if they consumed a significant amount of wine before dessert. After dinner wines, including dessert wines, generally remain as niche wines, and may struggle to maintain popularity.

When you think of Port Wine, do you think of it more as an after-dinner drink? Do you think of it as an aperitif too? Do you think of it when considering wine pairings for food (and I'm not referring to dessert courses)? I suspect that most consumers still think of Port as something you drink after dinner, maybe with chocolate, blue cheese or a cigar. Hopefully, that can change and consumers can be more open to drinking Port at other times as well.

Historically, it appears that such a change of view took place in certain spheres, helping to save the Port wine industry from its troubles. Seven years after the above newspaper article, there was an apparent turnaround and people began drinking Port wine as an aperitif, with France in the lead.

"Portugal Wine Usage Grows
NEW YORK (UPl)—More than 9 million gallons of port wine from Portugal were consumed throughout the world in 1966. and port, once considered solely as a dessert wine, is gaining popularity as an aperitif, reports a producer of port wines from Oporto. France is leading Europe in making port wine a fashionable aperitif, according to Sandemann Brothers. The firm estimates three-fifths of its world port sales now are for consumption as a before-dinner drink."
--Desert Sun (CA), September 26, 1967

In the U.S., Port wine seems to still be more of an after-dinner drink. And that is probably a significant reason why it is such a niche beverage, despite its recent slight increase in consumption. We need to educate people that Port is appropriate throughout the course of a dinner, from aperitif to after dinner. We need to show people that Port can be paired with a variety of dishes throughout the course of a mult-course dinner. That is more difficult as few restaurants host wine dinners that pair Port throughout the courses of a meal. Back in 2012, Legal Sea Foods hosted such a dinner and it was an enlightening experience. We need more restaurants to take this step, to help make it seem more normal to pair Port with dinner.

These issues plague other wine as well, from Sherry to Champagne, though you'll find more wine dinners featuring those two wines paired throughout the meal. Too many people think all Sherry is sweet, so it too is often seen as an after-dinner drink. However, local Spanish restaurants, and especially Taberna de Haro, have been educating consumers about Sherry, showing them that most Sherry is actually dry and pairs well with a wide variety of foods. Champagne is more often seen as a celebratory wine, and not something you pair with dinner, yet that too is slowly changing. The key to all of these niche wines is that they do not possess a single specific taste profile, but rather possess much diversity, and that diversity makes them more food friendly.

When I travel to Porto and the Douro region in two weeks, I'll be especially interested in gaining more information on Port and food pairings, which I'll share with my readers. However, I will call on my readers to be more open minded about these niche wines, and to experiment with food pairings. Don't see these wines as single-occasion wines, but rather see their versatility.

Port wine for breakfast, anyone?

Thursday, November 30, 2017

Thursday Sips & Nibbles

I am back again with a new edition of Thursday Sips & Nibbles, my regular column where I highlight some interesting, upcoming food & drink events.
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1) On Tuesday, December 5, at 6:30pm, Legal Sea Foods will host a four-plus-course champagne dinner showcasing the finest bubbly from Taittinger’s prestigious portfolio of French champagne. Grown and inspired by chardonnay wines, the Tattinger collection offers an extensive variety of champagnes, each unique to their own blend and terrain.

A family-owned and operated winery created in the Reims region of France in 1932, Tattinger is famed for its impressive holding of 752 acres throughout 34 different vineyards as well as for its ancient chalk cellars used for aging. The philosophy of finesse and elegance created a Taittinger empire and earned its name as one of the greatest champagne houses in the world.

Legal Sea Foods will team up with Christian Dalbavie, French Portfolio Manager for Kobrand Wine & Spirits, the exclusive U.S. import agent for Tattinger Champagne, to host a dining experience designed to carefully pair each signature cuisine with select pours from the Taittinger collection.

The menu will be presented as follows:
HORS D’OEUVRES
Prosciutto-Wrapped Baked Oyster, Meyer Lemon-Garlic Infusion
Smoked Salmon Phyllo Tartlet, Cracked Pepper, Lime
Rolled Smoked Ham Crepe, Tarragon Mustard Sauce
Taittinger “Prestige” Rosé Brut, NV
FIRST COURSE
Pan Seared Diver Sea Scallop (succotash, baby mâche, vanilla beurre blanc)
Taittinger “La Française” Brut, NV
SECOND COURSE
Hazelnut-Crusted Ecuadorian Mahi-Mahi (blue corn & chanterelle mushroom polenta, blood orange beurre rouge)
Taittinger “Les Folies di la Marquetterie” Brut, NV
Taittinger “Millésimé” Brut, 2009
MAIN COURSE
Lobster Newburg (pearl onions, haricots verts)
Taittinger “Comtes de Champagne” Blanc de Blancs Brut, 2006
DESSERT
Peach Flambé Tart (strawberry coulis)
Taittinger “Nocturne” Rosé Sec, NV

COST: $135 per person (excludes tax & gratuity)
Reservation required by calling 617-530-9397

2) This Holiday Season, Bar Boulud Hosts a Bûche de Noël Pop-Up & Pastry Class. Taking a modern approach to a classic French confection, Pastry Chef Robert Differ hosts a seasonal holiday pop-up in Bar Boulud and invites aspiring bakers to join him for an intimate pastry class featuring the traditional Parisian holiday dessert: Bûche de Noël.

Available December 4 to 25, Chef Differ’s Bûche de Noël pop-up will be available for purchase and makes a nice gift to share with friends, family and colleagues. Festively packaged and ready for pick-up, orders are available online or by the slice during lunch and dinner service ($10 each). Please note: fresh Bûche de Noël are available daily but may be limited; online orders require a 48-hour advance notice.

Chef Differ’s Bûche de Noël flavors will include:
White Chocolate Eggnog (Valrhona Ivoire chocolate crémeux, aged rum gelée, nutmeg biscuit)
8” $45 | 11” $62
Tropique (coconut dacquoise, mango mousse, banana cream, croquant)
8” $48 | 11” $65
Mocha Opera (espresso Jaconde, 55% ganache, mocha mousse, paradise glaçage)
8” $50 | 11” $68
Dark Chocolate Peppermint (64% Manjari mousse, mint chocolate feuilletine, flourless chocolate biscuit)
8” $52 | 11” $70

In addition, Chef Differ will host a Bûche de Noël pastry class on Saturday, December 9, from 10AM to 12 noon, for $95 per person. Upon arrival, participants will transform into a pastry apprentice as they sip a complimentary glass of prosecco or a rich cup of hot cocoa while preparing to craft this standout, celebratory sweet. Each participant will have a choice of White Chocolate Eggnog or Dark Chocolate Peppermint, they will then be presented with a pre-rolled Bûche de Noël that serves as a confectionary canvas.

Emphasizing festive decorating techniques, this tailored class allows students to focus on all of the fun aspects of holiday baking without the stress of measuring, mixing and manipulating. Each class participant will depart with a recipe for crafting this iconic Christmas-themed dessert at home, along with a freshly baked Bûche de Noël to share with friends and family.

For online cake orders: https://www.barboulud.com/boston/buche-de-noel
Pastry Class Tickets are available on Eventbrite.com: https://www.eventbrite.com/e/buche-de-noel-pastry-class-tickets-39664414331

3) Vialé in Central Square, Cambridge is enthused to announce a new, seasonal dinner series in collaboration with Cambridge School of Culinary Arts (CSCA). The dinner series, "CSCA Takeover at Vialé" kicks off on Monday, December 4, from 5pm-10pm, with quarterly, seasonal dinners scheduled. Each dinner will pair Vialé chef/co-owner, Greg Reeves (CSCA graduate) and the Vialé team with a different CSCA student/chef. The partnership between these Cambridge neighbors is a natural fit, and a great opportunity for an aspiring, rookie chef to learn all aspects of planning, sourcing, and executing their own menu items.

On the first CSCA Takeover, Chef Greg Reeves will be mentoring and welcoming to the Vialé kitchen, second semester CSCA student, Bradley Caldwell. 26-year-old Bradley Caldwell spent his youth and early adulthood in kitchens in New Hampshire. Having completed service in the United States Navy, he decided to pursue his passion for culinary arts at CSCA and will soon complete the Professional Chef’s Program at CSCA. He balances his culinary education with hunting trips in New Hampshire, and has selected a hearty menu to reflect his roots.

On Monday, December 4, he will be serving a duck salad with pickled pear, venison served with broccolini and sweet potato puree, and ancho chile cheesecake. Bradley's dishes will be available at Vialé as a three-course prix fix or à la carte to accompany Vialé's usual dinner menu.

Cambridge School of Culinary Arts was founded by Chef Roberta Dowling and her husband William in 1974. Roberta’s legacy is carried on today by Sean Leonard, a longtime CSCA employee and friend of the Dowlings, and his partner Randall Freidus. They took over ownership on January 6th of this year, continuing to offer four professional training programs, recreational classes, and private cooking events year-round.

The Professional Chef’s Program is a 37-week program that delves deep into the science and art of international cooking and pastry techniques, and is composed of courses in basic techniques, baking, regional cuisines, and intensive French techniques. CSCA also offers a 14-week Culinary Certificate Program, a 14-week Certificate Pastry Program, and a 37-week Professional Pastry Program. Applications are accepted on a rolling basis for three program start times in January, May, and September.

Matt Grymek, the Manager of Student Life, approached Bradley to work with Chef Greg Reeves and be the guest chef for an evening at Vialé. Bradley has demonstrated a natural talent for cooking and is starting to develop his own unique style and voice in the kitchen. He has won several in-school cooking competitions and thrives in situations where he is out if his comfort zone. Bradley also has ambitions of running his own kitchen so welcomed the idea of working with Chef Greg Reeves to gain more experience in menu planning.

Check out this fascinating CSCA Takeover at Vialé and discover Bradley Caldwell's culinary skills.

Wednesday, September 13, 2017

Mooncusser Fish House: Initial Impressions

Excellent seafood is becoming more and more common in the Boston area as a number of new seafood restaurants have been opening within the last few years. One of the latest openings, at the end of July, was Mooncusser Fish House, located in the Back Bay. Ian Calhoun and Vincent Vela, who previously opened 80 Thoreau in Concord, have now chosen to open a seafood restaurant in Boston.  80 Thoreau Chef Carolyn Johnson has also brought her culinary skills to Mooncusser and the result of this collaboration is dish after dish of compelling seafood creations.

Mooncusser is actually divided into two parts, the Moon Bar located on the first floor and the actual Mooncusser Fish House on the second floor. The Moon Bar, pictured above, is the more casual dining area while the upstairs is more high-end. The upstairs area has a minimalist design aesthetic with several large windows that look out onto Columbus Avenue.

Recently, I dined at Mooncusser with a couple good friends, Adam and Andrew, and I wanted to provide some initial impressions of the restaurant. This is not a comprehensive review, especially as the restaurant has been open for less than two months, but I wanted to bring attention to the restaurant based on my dining experience. I've long encouraged people to eat more seafood so I'm always pleased to see a new seafood restaurant which hopefully will get more people enjoying fish and other seafood.

The wine list is compelling, diverse and interesting, with plenty of classic wines, from Bordeaux to Barolo, while also celebrating less common wines, from Spanish Txakoli to Greek Moschofilero. The list is long, without being overwhelming, and should please a wide range of wine lovers. It helps if you know the usual retail prices of the wines on the list (or can Google them) as the mark-up seems to vary dependent on the specific wine. You'll find a fair share of wines that are more reasonably priced at about twice the average retail, with others are closer to three times.

We began our evening with a bottle of Grower Champagne, the 2008 Pierre Gimmonet "Cuvee Gastronome" 1er Cru ($120). I've visited this winery before and love their portfolio of Blanc de Blancs Champagnes. And this bubbly didn't disappoint, with lots of crisp acidity, fine bubbles, complex flavors and a satisfying finish. And as this wine retails for $60-65, the mark-up is very reasonable.

Later in the evening, we also ordered a bottle of an Austrian wine, the 2008 Pichler Riesling Smaragd. A superb Riesling, it was dry with lots of acidity, stony minerality, and delicious peach and apple flavors. Lots of complexity made each taste bring something different to my palate, and it paired very well with a variety of seafood.

We began our dining experience in the Moon Bar, thinking to have some wine and an appetizer or two, though we ended up sharing a number of small plates. The menu in the Moon Bar includes numerous Small Plates ($6-$15), and Sandwiches & Entrees ($15-$24). Of the 17 options, only 3 do not have any seafood such as Marinated Olives and Spicy Greens Salad. This is definitely a restaurant for primarily seafood lovers. They have also just started Lunch Service in the Moon Bar and the lunch menu is slightly different from the regular menu. One of the main differences is the addition of several salads, and you can add a variety of seafoods atop those salads.

Upstairs in Mooncusser, you can opt for a 5-Course Tasting Menu, or select your own dishes off the menu, which is divided into First Courses and Main Courses. There are 8 options for First Courses, priced $10-$18, and there are a couple of the same dishes found in the Moon Bar, but priced $1 more. You could opt for the Seared Gnocchi (with uni, chanterelles, mustard) or Pan Fried Soft Shell Crab. The only non-seafood option is the Baby Kale Salad. There are 9 choices for Main Courses, priced $28-$42. You could opt for Monkfish or Stuffed Skate, and they also have 3 non-seafood choices including Lamb, Guinea Hen, and Stuffed Squash.

At the Moon Bar, with our Champagne, we ordered a number of dishes, revelling in the seafood. The Fried Scallop Ravioli ($15) are made with potato & chives and include a side of green goddess sauce. The Ravioli were light and crispy, with a tender, sweet piece of scallop within. Very tasty.

The Smoked Salmon Choux Buns ($6), a warm choux with chives & paprika, were light with an intriguing smoky flavor accompanying the salmon flavor. Kind of a savory seafood donut which worked well.

The Grilled Squid ($15) comes with escarole, cranberry beans, charred corn, parsley, chili, lemon, and corn aioli. The squid was tender and flavorful and the rest of the dish seemed fresh and clean.

The Grilled Swordfish Souvlaki ($17, though this dish was comped to us) is made with garlic, oregano, lemon, cucumber, tomatoes, chickpeas, yogurt, and pita. They use the swordfish belly so it is very tender and moist, with nice charred bits. Again, everything was very fresh on the plate and this would be a healthy and delicious option.

The Smoked Salmon Pate ($12), made with horseradish, dill, dijon, & lemon and accompanied by walnut toast, was another winner. The creamy pate burst with flavor, and the nuttiness in the bread was an intriguing addition.

The Fish Tacos ($18) are made with beer-battered fish-of-the-day, cabbage slaw, cilantro, red onion pickles and Thoreau sauce (which is on their burger at 80 Thoreau). Tasty tacos with lightly battered, moist and tender white fish, and fresh toppings.

We finally adjourned to the second floor, to Mooncusser itself. Two of us opted for a First course of the Mooncusser Chowder ($12), made with skate, clams, smoked scallop, creme fraiche, & barley crackers. This was quite a large bowl of chowder and I loved the complex flavors within this chowder. It wasn't overly thick or thin, just the right consistency, and there was plenty of seafood within its depths. This was probably one of the best values on the menu and highly recommended.

Another friend ordered the Scallop Tartare ($16), made with corn, purslane, & truffle. You don't often see Scallop Tartare and I got to taste this dish, finding it to be delicious, with silky scallop, enhanced by the sweet corn and truffle accents.

For a Main Course, two of us ordered the Grilled Tuna ($40), with wild rice, walnuts, & peaches. The two large pieces of tuna were cooked perfectly, seared on the outside and raw within, and it was silky and tender, rich and flavorful. And the peaches were amazing, a nice sear on the outside with lots of juicy sweetness within.

And our other friend chose the Whole Grilled Black Bass ($40), with saffron, cherry tomatoes, & chickpeas. Again, this was a perfectly cooked fish, with plenty of tender white flesh within.

Everyone should be eating more seafood as it is one of the healthiest foods you can consume. And Mooncusser delivers with plenty of delicious and interesting seafood dishes. Chef Carolyn Johnson has created an intriguing and tasty menu, which isn't a surprise considering her great work at 80 Thoreau.

Have you been to Mooncusser, and if so, what were your thoughts?